RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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RAFFAELLO Sanzio Madonna and Child oil painting


Madonna and Child
Date ca. 1503(1503) Medium Oil on wood Dimensions Height: 55 cm (21.7 in). Width: 40 cm (15.7 in). cjr
Painting ID::  84027
RAFFAELLO Sanzio
Madonna and Child
Date ca. 1503(1503) Medium Oil on wood Dimensions Height: 55 cm (21.7 in). Width: 40 cm (15.7 in). cjr
   
   
     

RAFFAELLO Sanzio Angel oil painting


Angel
Date between 1500(1500) and 1501(1501) Medium Oil on wood Dimensions Height: 57 cm (22.4 in). Width: 36 cm (14.2 in). cjr
Painting ID::  84038
RAFFAELLO Sanzio
Angel
Date between 1500(1500) and 1501(1501) Medium Oil on wood Dimensions Height: 57 cm (22.4 in). Width: 36 cm (14.2 in). cjr
   
   
     

RAFFAELLO Sanzio The Holy Family oil painting


The Holy Family
Date 1518(1518) Medium Oil on canvas transferred from wood cjr
Painting ID::  84041
RAFFAELLO Sanzio
The Holy Family
Date 1518(1518) Medium Oil on canvas transferred from wood cjr
   
   
     

RAFFAELLO Sanzio Crucifixion oil painting


Crucifixion
Date between 1502(1502) and 1503(1503) Medium Oil on wood Dimensions Height: 281 cm (110.6 in). Width: 165 cm (65 in). cjr
Painting ID::  84043
RAFFAELLO Sanzio
Crucifixion
Date between 1502(1502) and 1503(1503) Medium Oil on wood Dimensions Height: 281 cm (110.6 in). Width: 165 cm (65 in). cjr
   
   
     

RAFFAELLO Sanzio Elisabetta Gonzaga oil painting


Elisabetta Gonzaga
Date ca. 1503(1503) Medium Oil on wood Dimensions Height: 53 cm (20.9 in). Width: 37 cm (14.6 in). cjr
Painting ID::  84051
RAFFAELLO Sanzio
Elisabetta Gonzaga
Date ca. 1503(1503) Medium Oil on wood Dimensions Height: 53 cm (20.9 in). Width: 37 cm (14.6 in). cjr
   
   
     

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     RAFFAELLO Sanzio
     Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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